In album: Cezanne
Oil Painting Paul Cézanne 19 Jan 1839 22 Oct 1906 Contact Email dexxxaa@gmail.com
Antony Valabrégue
Antony Valabrégue
Paul Cezanne
Harlequin
Harlequin
Paul Cezanne
Pot of Primroses with Fruit
Pot of Primroses with Fruit
Paul Cezanne
Paul Cézanne used heavy brush strokes during his early years and thickly layered paint onto the canvas. The texture of the compositions is tangible and the marks of his palette brush can be obviously discerned.
Cézanne's early work has previously been called 'violent' in nature because of the hasty brush work. Before he became friends with Camille Pissarro Cézanne worked mainly within his studio, painting from his imagination. However after meeting Pissarro Cézanne occasionally moved his painting outside and began painting from nature. As a result his style and technique became more structured although his brushstrokes were still thick and heavy. Also, his works became brighter in color (although he still preferred to work inside with darker shades).
In the late 1870s the texture of Cézanne's compositions became smoother and he attempted to create form using his paintbrush. Rather than work from sketches he was influenced by Monet's ability to create shapes on the canvas and applied color with big, broad strokes.
Many of Cézanne's compositions were left incomplete because of the difficulty of finishing a piece of art work. He took months to finish any piece and his style made working en plein air too challenging. Thus he returned to the studio and worked there instead.
In his later years his style and technique continued to shift as he learned more about his craft.
Method:
Cézanne was highly analytical of his subjects and perceived them as different shapes that could be placed together to make an overall form. He created his works slowly, building upon each previous figure with a new outline. Using this method it took Paul Cézanne months to finish a portrait or a still-life. This technique became such a problem that Cézanne was unable to use real flowers because they would wilt before he was able to finish his painting.
Although Cézanne did use drawings and sketches before he placed his paintbrush to canvas a lot of the work was done on the canvas itself. He found working from nature to be extremely arduous and for him returning to the scene of a landscape was often more challenging than completing the painting itself. Cézanne's complicated method of painting explains why he often painted the same subject matter time and time again....(http://www.artble.com/artists/paul_cezanne)
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