In album: Andy Warhol (Gold Thinker) Signature's..."EVIDENCE RESEARCH WEBSITE" Viewing Only

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Michael P. Wilson dexxxaa@gmail.com (760) 366-2927 Andy Warhol painting "The Gold Thinker" Abstract Brillo Box

Gold Thinker (photo taken indoor's without flash)

Gold Thinker (photo taken indoor's without flash) Andy Warhol (Gold Thinker) Signature's..."EVIDENCE RESEARCH WEBSITE" Viewing Only
Hi Mike how are you ? I discovered some info on your Painting , Andy Warhol would use a lightbox to copy some of his work so I believe that is the lightbox he used in your painting of that box. This info is from a book on Warhol (Unseen Warhol) by John O,Connor and Benjamin Liu on page 22# Statement from Warhol close friend Vito Giallo Warhol close Friend and Assistant in 1958-1959. Here is a photo of a lightbox in attachments sounds very credible evidence by facts by someone who worked with him . James (8/14/2016)...


Modern Myths: Andy Warhol (I'll Be Your Mirror: The Selected Andy Warhol Interviews 1962-1987).

Barry Blinderman: As a portraitist, what do you feel is most important to express?

Andy Warhol: I always try to make the person look good. It’s easier if you give somebody something back that looks like them. Otherwise, if I were more imaginative, it wouldn’t look like the person.

BB: How many shots do you take for each portrait? Do you take them all yourself?

AW: Yes, I take them all. Usually about 10 rolls, about 100 shots.

BB: Do you still use the SX-70?

AW: No, I use the “Big Shot” now.

BB: What’s been the general response to the portraits from the people who commissioned them?

AW: The Polaroids are really great because the people can choose the photo they want. That makes it easier. And this camera also dissolves the wrinkles and imperfections.

BB: Polaroid is like color TV in a way. It has its own idea about what blue is or what red is. It’s a very subjective color that seems like it was custom made for your art.

AW: Yes, it seemed to be. But it’s hard to do whole bodies with it. I haven’t learned to take whole bodies with it yet. I do have a camera that can take whole bodies though.

BB: The camera has been an essential part of your art for so long. I saw some early Campbell’s soup can drawings at a Guggenheim drawing show some years ago. How did you do those drawings? Were they projected onto the paper?

AW: Yes. They were photographs that I projected and traced onto the paper. I used both slides and opaque projectors in those days. I also used a light box.

Modern Myths: Andy Warhol


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